Pair of two-panel folding screens with four single paintings by Kanô Eigaku, 9th leading master of the Kanô-branch in Kyôto. He often signed as in this example under his name Kanô Nui'nosuke Eigaku 狩野縫殿助永岳.
The paintings on each panel are depicting four famous Chinese poets that are matched beautifully with the four seasons. Spring is indicated by a plum tree and a young boy feeding a crane as a symbol for good fortune in the beginning year. It is reffering to the Tang dynasty poet Bai Juyi 白居易 (772-846) and a line of one of his famous crane's poems, where a "garden-boy is leading the cranes home". The Summer panel shows the poet Li Bai 李白 (701-762) whilst composing his poem "Viewing the Waterfall of Mt. Lu" (Wang lushan pubu 望廬山瀑布). In autumn an old scholar is depicted with a walking-staff in one hand and a bunch of chrysanthemum in the other. This figure is reffering to famous poet Tao Yuanming 陶淵明 (365-427) and his "Poem of Home-coming" (Guiqulaici 归去来辞), which describes his pleasure about chrysanthemums flowering at the fence of his home to where he returned to after his retirement. Tao Yuanming's alias was "Master of the five willows" (Wuliu Xiangshen 五柳先生) as indicated by the trees behind him.
The most intriguing scene, however, is the winter panel, where a noble man on a horse and his attendant looking back to a gate through a white plain winter landscape. It is most likely that this painting refers to one of most renown fare-well poems in Chinese history; the "White Snow Song" (Bai xue ge 白雪歌) by Chen Shen 岑參 (715-770), telling how the Magistrate Wu returns from the Tang-dynasty border back to the capital.