Messeplatz 1, 50679 Köln, Germany, Hall 11.2, Booth C39
We are thrilled to announce our participation in COLOGNE FINE ART & DESIGN this year. Founded in 1970 as West Deutsche Kunstmesse, COLOGNE FINE ART & DESIGN celebrates a tumultuous half century of being one of the leading fairs in Germany for Art, Antiques and Design.
To mark the fair's 50th anniversary, Galerie Kommoss booth C39 is going to feature a painting by Edo period Zen master Sengai Gibon (1750-1837). The small, unique work shows an image of one of the Seven Lucky Gods, Daikoku, in Sengai's fluent and playful brush stroke. In Japan, Daikoku is a symbol for prosperity and fortune. Famous for his unconventional way of teaching Zen Buddhism to common people and his skillful use of humorous paintings, Sengai has been one of the leading Zen figures in late Edo period Japan.
Strada Collina 84, Ascona 6612, Switzerland
Exclusive exhibition and traditional Japanese tea ceremony at Casa del tè on Monte Verità in Ascona, Switzerland. Carefully selected tea utensils, such as tea caddies made of gold lacquer and clay, a collection of tea bowls and incense cases.
Rue Watteeu 27, 1000 Brussels, Belgium
“CULTURES - The World Arts Fair” is for the fourth time now a successful synergy between the three organizations, AAB (Asian Art In Brussels), BAAF (Brussels Ancient Art Fair) and BRUNEAF
(Brussels Non-European Art Fair). 60 International exhibitors will gather in Brussels Sablon for almost one week. The Sablon area is known for its large number of galleries and remains one of the
most attractive places to host participating dealers at the heart of Europe. Galerie Kommoss will attend the event for the first time and will show a wide range of carefully selected art works
Messeplatz 1, 50679 Köln, Germany, Booth A029
We are happy to inform you that Galerie Kommoss has been chosen as exhibitor for the Cologne Fine Art this year.
To celebrate this special event, our gallery's stand No. A029 will be featuring a rare and striking pair of Meiji period six-panel folding screens by Mochizuki Gyokkei (1874-1939) with a flock of cranes. Displayed together the two screens disclose a gorgeous seven-meter wide composition of interacting individual birds, painted in ink and mineral colors on a glittering gold background. The cranes seen in these screens from 1906 possibly served as a model for Gyokkei's later layout of wall and sliding door paintings in the Shōbi-kan building, which is part of the gardens of Kyōto's famous Heian shrine.